Tuesday, May 18, 2010

This is a new ad Rees designed. I like the variety of pieces in it. Thanks, Rees.
(And if you've wondered why I'm so infrequently posting, just know that summer is here. The schedule busy. The studio a mess. Framing. Packing. Painting. Getting commissions ready to ship. And on top of all this, we're fitting in a vacation!) I promise more soon.

Friday, May 14, 2010

Fly Away! to Your New Home, little creations!

I paint a lot. I like to. People ask if it is difficult to give up (read sell) favorite pieces. My answer is a resounding "NO". First of all, I don't really have favorites. I may like a certain piece because I have attacked and solved a problem--a solution that I know I will be able to use in the future. Or, maybe I had an accidental inspiration--something unintended--occur in a piece. Or maybe I really am fond of a particular reference photo that I have used. What I do have is pieces that are not my favorites--poor step children, as it were. After reading some other artists blogs, I realize that it is okay to delete these pieces. So I do. Occasionally.

But, back to the subject of giving away/selling the creations. I do take a reference snapshot of almost every piece I do ( I am sure I forget a few over the course of a year!). So, I can remember them, with fondness. But, I don't have enough wall space to hang all my work. Actually, my house is chalk full of art--all kinds, but hardly any of mine. And, if I am not selling my pieces they are just sitting in their storage boxes waiting for a home. So, I enjoy meeting the future owners of the pieces, knowing that they want the piece hanging in their home. Sometimes 'cuz they love it and will find a spot for it, and sometimes 'cuz it is just the right piece for a spot. No matter. It will be appreciated. And, that makes me feel good.

Wednesday, May 12, 2010

Booth Angst

I can't believe it has been so long since I posted. Truth be told, I probably did have the time. Just not the words to express anything of import--or interest! But, what has been raging through my crazy artist brain is this: I don't like how my booth looks! Don't get me wrong. I still like my work. Just not the way it looks on the walls of my display set-up. When I first started I had many seasoned artists tell me that I was hanging too much work. That I was making the decision-making too difficult for potential customers. But, I was selling well--still sending poor Rees back and forth to the extra inventory so people could look through everything. So, I didn't change anything. Nothing at all. But I started liking my display less and less.

What had changed was my work. About 3 years ago I found a combination of fixative and acrylic varnish that worked with the oil pastels so I wouldn't have to use glass on all my pieces. Hoorah!!!!! However, I haven't stopped working on paper--truth is--I love working on paper. And so my booth has become a bit of a mixture of the 2--panels and works behind glass with white mats. It wasn't until this last weekend at the Laumeier Art Fair in ST Louis, where I was positioned with my tent and booth under the big top--making things very dark, that I figured out part of the problem. Without the white mats and light frames, the whole booth looked darker. I rearranged and put pieces with mats and glass near the front and it improved the overall look. Not perfect--but an improvement. And, since my summer schedule is a very busy one, I probably won't be able to do much more than tweak the overall look. But, I think it is an important project to consider for the fall. How do I display enough to give my customers a choice but not make it look like a flea market display? Do I reduce the number of sizes? Do I stick to either/or? (works on paper vs. works on panel) Do I display only a few pieces of each size? Do I replace my walls with a lighter color? I'm not sure. But, I promise I will do some thinkin' on it. Whether any changes get translated into a new booth design sooner or later remains to be seen. Comments, ideas always accepted. And, I can take the criticism--if that is what you have!

Monday, May 3, 2010

Road Food--Part 3




I like tacos. NO. I love tacos. A lot. So, Thursday last we headed out to try a taco stand Rees had heard about--Tacos El Guero. Very delicious. Not very spacious. 6 stools at a bar about 2 feet from the cooking station. We tried Al Pastor, Bistek, and one I am ashamed I do not know the translation. All very delicious. If you are on Bryan Street in Dallas or nearby, try it out!

Tuesday, April 27, 2010

Road Food--Part 2



The day before yesterday we drove over to Fort Worth to try out some paintings in a client's home. And, not only did I get a commission on a pretty large piece, we got to go to Joe T Garcia's for lunch. We'd not been there in a while, since the Ft Worth Main Street show has not juried me in the last few years. Nothing better than a relaxing outdoor lunch - -if you haven't been, get the family style dinner--enchiladas, tacos, cheese nachos, rice beans, guacamole, fresh corn tortillas. All for a very reasonable price. Add a cold beer (or two), perfect 70 degree weather, a favorite companion (Rees) and you've got nirvana!!! But, maybe not so good for the waistline. Tough!!! It was worth it!

Foreign Challenges

My sister-in-law is a very gracious hostess--letting me bring my dog and my easel to mess up her tidy house. Both the art supplies and the dog do a good job keeping things messy! But, unlike my studio,with the myriad lights etc, I had to position the easel to take advantage of the natural light pouring in. That put me was directly in front of BOB, her punching bag guy. When I'm actually painting, I don't see him, but he is a great distraction every time I do look up.
One of my other distractions is the above mentioned dogs. Laird has a new dog, within the last few months--a 2 year old terrier type named Zip. I was worried he and Bug might not get along. I needn't have worried, as you can see in the photos. The only challenge came when they both decided to lie under my easel and between my feet, together. So, I'm guessing not as much painting as I had planned.

Thursday, April 22, 2010

Away!

We're off today for a few shows. The van is mostly packed and I'm almost ready. Quite a shock this morning when I awoke and found it had snowed--again! Just a dusting but enough to make me realize I was rally glad we were leaving for a while. I'll post a bit while I'm away as I plan to paint on the road but the postings may be a bit scarcer than usual. So, off to Texas for Southlake and Cottonwood, followed by the Laumeier show in St Louis. Wish me luck!

Tuesday, April 20, 2010

Midwest





I'm doing a few shows in the midwest this spring/summer--The Laumeier show in St Louis in a few weeks, the 57th Street show in Chicago at the beginning of June,The Des Moines Arts Festival at the end of June and thought I ought to have something besides mountains to bring. So, some barns. Too bad I can't recollect exactly where they are--most were based on reference photos taken while driving down the highway in Sweet Ride.

Sunday, April 18, 2010

Commission Completed

This is probably the most urban piece I've ever done. Still, there are mountains and snow in it. It is actually a commission piece for a friend of mine from high school, who happens to love Telluride. It was fun to do (as was catching up with someone I haven't seen in 30 years!)

Saturday, April 17, 2010

Repurposed


An old bakers rack--great drying rack for finished pieces under 25 inches in any direction. I traded for it with a batch of cookies--to the guy at the dump--excuse me, transfer station. The top corner is held together with duct tape!!! Another of my favorite tools!
Painters tape: great for taping pastel paper to my easel as it doesn't rip the corners when I pull the piece off the easel. Also good for keeping bangs out of eyes--really! Exacto knives with various blades--good for creating fences in panel pieces--just scrape down to the white gesso. Also a good tool if you inadvertently make mud and want to scrape back. The other item is my "smoosher"--the clay shaper tool used to do detail work in clay work--I use to smoosh the color into the paper or to blend colors--better than the pad of my finger!
This computer desk was actually purchased with this purpose in mind. But it was a whole lot cheaper than the pastel tables in the art catalogs. The keyboard drawer is a nice additional space.

Baby wipes!!! The are wonderful for pulling oil pastels off of your hands!